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Jill Allan wants to see good stories in circulation. As she holds a book in her hands she asks herself, 'Would a child want this?' She's been a children's librarian for years, she's read the research. The number of books in the home is a crucial factor influencing language and literacy outcomes.
The closest Confucius came to this romantic view of work was a line expressed from the view of the bosses, saying, 'When he chooses the labours which are proper, and makes them labour on them, who will repine?' The answer as to who will repine, rather obviously, is the labourers.
2017 has seen us stirring a large pot of sticky issues with our 14-year-old daughter and 11-year-old son. Old-school parenting used to play nice, with no discussion of sexuality, religion or politics. While recognising the need to speak appropriately to the ages and maturity of our kids, I disagree with that convention.
Lately Lucky has death on his mind, and these and other various acquaintances serve as stars by which he navigates his close-held fears of impending oblivion.
In 2017, we have had one of the most uncivil years in memory, with assaults against politicians, institutions, entire demographics. What can we learn from antiquity? The obvious lesson from Rome's post-Caesarian civil wars is that internecine conflict is inevitably punctuated by further conflict and wrestling for power.
‘Would I lie to you? Would I lie to you honey? Now would I say something that wasn't true?’ The Eurythmics’ hit from 1985 has been played repeatedly in my head of late as I negotiate life as a Dad.
ants don’t sleep elephants weep presidents creep oolong teas steep and we observe. dictators serve goosekillers swerve ignorance hits curve art shows verve and we obsess. rabbits stress tortoises press paedophiles confess corporations bless and we object
An article focusing on the 2013 Boston Marathon bombings reported that people 'exposed to more than six hours of daily media coverage of the tragedy were more likely to experience symptoms of acute stress than those directly affected by the event'. News junkies, or those who saw extended coverage, were found to be worse off than those who actually survived the bombings. This is sobering as we consider how we deal with our children's exposure to traumatic events playing out on TV news.
Australian kids are being bashed, raped, starved, scorned and otherwise treated with no dignity or kindness. The study states it is not simply a case of one-off abuse, noting that 'research has demonstrated that maltreatment sub-types seldom occur in isolation (e.g. sexual abuse is often accompanied by psychological maltreatment or physical abuse)'. That is difficult reading. It makes me sick to write it. But the paper should, in a just society, serve as a catalyst for a national conversation.
Squarely back into the school year, dinner conversations with our kids have included strategies for dealing with bullies. A 2016 survey of 20,000 Australians students found one in four respondents reported being bullied, and bullying 'was more common for year 5 students and year 8' - the grade levels of our boy and girl respectively. I'd love to be the 'parent nonpareil', with the right words and advice, but it's not that simple. The variables of personality and situation mean there is no easy, perfect answer.
The chaos embedded in these characters' world is made clear through physical symbols - Chiron flees from bullies into an abandoned drug den, where he finds a used syringe and holds it up to the light like a talisman - and by the camera, which trails and circles the characters, or locks onto their faces, a conduit for their grief or desperation or lust or rage or joy. Bursts of actual violence or dramatic confrontation are rare. Where they occur it is their emotional content that is most confronting.
2017 is set to be a momentous year for the arts in Australia. On 1 November we commemorate 50 years since Harold Holt announced the creation of an independent body to champion 'the free play of our cultural interests and enthusiasms at all levels' — an announcement that meant bringing together disparate focuses and isolated funds with a national vision. Yet today's Australia Council faces an uncertain future, and the free play of our cultural interests is jeopardised by that uncertainty.
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